“Treme” depicts the lesser known cultural aspects of a city that is
usually recognized merely for Bourbon Street and its party scene. The
episode begins with a staple of New Orleans culture — a second-line
parade led by the Rebirth Brass band. Renowned trumpet player Kermit
Ruffins also appears in the show for a special performance. Even
subtler aspects of New Orleans culture are apparent like the Hubig pies
that John Goodman orders in a restaurant.
HBO aired the premiere of the series “Treme,” which portrays New
Orleans three months after the devastation of Hurricane Katrina.
The show focuses on several characters trying to rebuild their lives
and emphasizes the city as a whole as it attempts to restore its rich
cultural traditions.
“Treme” was created by David Simon, who rose to television prominence
as the creator of HBO’s critically acclaimed series “The Wire.” Despite
the success of “The Wire,” Simon said in an HBO press release that
“Treme” would follow a different formula.
“It is not, in any respect, ‘The Wire: New Orleans,’” Simon said.
“Those expecting a story with a heavy police presence or ruminations on
the drug war… should return to their ‘Wire’ DVD’s.”
“Treme” is named after the Tremé neighborhood, one of the oldest
neighborhoods in the Crescent City. Tremé was once the central
neighborhood for free black New Orleanians. It played an essential role
in black and Creole culture, especially in the musical tradition of
brass bands.
“Treme” follows several characters, including a struggling musician, a
restaurant owner and a Tulane professor, as they attempt to restore
their lives in the chaos of post-Katrina New Orleans.
“There are so many facets to the show, the storm, the aftermath, the
culture — they are all intertwined… but the storm disrupted the very
way of life in New Orleans for folks that have lived there generation
after generation,” said Rebecca Morgan, New Orleans resident and fan of
the show.
The show’s creators included many staples of New Orleans culture to
create an accurate portrayal of New Orleans. Victoria Illk, who appears
as an extra on the pilot episode, said the care producers put in
retaining historical and cultural accuracy impressed her.
“I… was asked to wear clothes fashionable in the year 2006,” Illk said.
“They also made sure to prop us with the most authentic brands of
drinks like Abita beer and Kentwood water for the shoot… There was lots
of cigarette smoke pumped by a smoke machine, a live band, sticky wood
floors and everyone with a drink in hand.”
“Treme” depicts the lesser known cultural aspects of a city that is
usually recognized merely for Bourbon Street and its party scene. The
episode begins with a staple of New Orleans culture — a second-line
parade led by the Rebirth Brass band. Renowned trumpet player Kermit
Ruffins also appears in the show for a special performance. Even
subtler aspects of New Orleans culture are apparent like the Hubig pies
that John Goodman orders in a restaurant.
To create such a genuine production, “Treme” required a significant
amount of work and attention to detail. Jennifer Day, director of the
office of film and video of New Orleans, said that the production of
“Treme” is very challenging due to its fast-paced episodes.
“Episodes are being written as the show films, which means little to
no preparation time,” she said. “But this type of challenge really
forces crew members to up their game and perform at very high and
efficient levels.”
One scene in the premiere depicts one of the main characters returning
to his home for the first time after the flood. The floodwaters
destroyed his house and most of the surrounding property. For many New
Orleanians, scenes like this were all too familiar, evoking memories of
the devastation following the hurricane and the pain of returning to
lives that would forever be altered.
“I cried when the father returned to his house… Visually [the scene]
captures it exactly as it was,” said local resident Erin Flanigan, who
watched the show, “Four-and-a-half years later, it still chokes me up
to see these images.”